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Observing a Kiln During Firing... What's Normal?
Kiln Digital Relays

Observing a Kiln During Firing... What's Normal?

Gail Stouffer

  A big thank you to our friend Arnold from Paragon Kilns who helped answer these important questions about observing your kiln during firing. Gail also added some nuggets of information to help round out your knowledge! The heating elements hum when they turn on.  The sound is generated because the elements vibrate in the brick grooves due to magnetism between the coils. So, it's totally normal! The sound actually diminishes as the kiln gets hotter because the elements soften. Notes from Gail: This is also true in kilns with suspended quartz wrapped tubes, but it's harder to hear since the elements are inside the tubes. Elements that are wrapped around ceramic rods probably won't hum much at all. The clicking noise of an infinite switch-operated kiln is also normal. It is the sound of an infinite control switch cycling on and off. When the clicking turns into a popping noise, the switch is probably about to fail. Notes from Gail: This isn't happening if you only have a digital controller. But, some kilns have an infinite switch in the lid with a digital control of the body. You'll be hearing the clicking on those. Digital Relays are another source of clicking. To turn on the elements, a digital controller sends twelve volts to the relays. The relays, in turn, act as switches and send full voltage to the elements. The relays click every time they turn on. A chattering noise, however, indicates that a relay is about to fail. Notes from Gail: This is why I'm a big fan of MDRs (mercury displacement relays) and SSRs (solid state relays.) They are much quieter and worth the money to upgrade in the long run! A crackling noise followed by a loud POP from the kiln's switch box usually means that a loose electrical connection has just failed. If you hear crackling, which sounds like sparks, turn off the kiln. The loose connection creates a tiny electrical arc, which overheats and burns electrical parts. Rapid arcing causes the popping noise. Whenever you change elements or have the switch box open for any reason, check all of the wire connections. Make sure they are tight... The power must be disconnected, of course. Tug on the wires. If a wire pulls out of a terminal, replace the terminal with a new one using a good crimping tool. Remove any dust before closing the switch box. When you replace elements, make sure the connections are tight. Notes from Gail: This happens in clamshell kiln lids occasionally, since the lid is constantly being opened and closed, the element connections an get loose. Don't despair, it's an easy repair. Why is there a gap between the kiln and the lid near the hinge?  The gap under the lid of a cold kiln at the hinge is normal. As the kiln heats up, the firebricks expand, which causes the body of the kiln to grow taller and close the gap. The gap is designed to help prevent the front of the lid from rising at high temperatures. Notes from Gail: Yup! The lid on my kiln is rising at the front during firing. What is the cause?  During firing, the wall bricks expand. This pushes the lid upward. If the hinge does not have sufficient play, the lid will rise at the front. If this happens, please do not put a weight on the lid to hold it down. That will only damage the lid. Instead, check for binding in the hinge. Notes from Gail: If this is happening, call the kiln manufacturer and ask them how to mitigate the problem. They'll walk you through an easy fix for your type of kiln. If this becomes extreme, it can crack your kiln lid so, it's important to take care of this issue sooner rather than risk a messy, crumbling lid. My front-loading kiln has a gap between the door and the firing chamber. Is that normal?  There should be no gap between the door and the firing chamber at the side toward the door latch. There should be a gap, however, at the hinge side of the door. When the kiln is cold, you should see a gap of about 1/16 between the hinge side of the door and the firing chamber. As the kiln heats, the firebricks expand. Without a gap, the door will bind at the hinge and cause a gap at the side toward the latch. Notes from Gail: Some kilns have gaskets that fill the space and seal the door opening. If you have a gasket that is worn, it's easy to get a replacement from the manufacturer and should help alleviate the issue. New doors can also be purchased if needed.  I am concerned about the light that appears under my kiln lid during firing.  The light that you see under the lid is normal as long as the lid is not rising in front. The inner lid surface expands more than the outer cooler surface. Therefore, it bows inward slightly toward the firing chamber. This is normal. For this reason, you will see a thin line of light around the lid since the lid is no longer a flat surface resting on the flat firing chamber sidewalls. Surprisingly, there is very little heat loss from around the edge of the lid. Notes from Gail: If you suspect this is causing a cold spot during firing, call your manufacturer. If this becomes a serious issue, you can purchase replacement lids at reasonable prices for most top loaders. 

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When the Kiln Lid Flakes...
How to

When the Kiln Lid Flakes...

  Great information about kiln lid repairs from our friends at Paragon... At Paragon, they coat the inner lid surface of all kilns to reduce brick dust. Sometimes the refractory coating is too thick so, it will blister and flake off when the kiln is fired. An especially thick coating looks like a network of peeling cracks similar to a dried mud puddle. This cracking is due to the difference in expansion between the firebricks and the coating. Conversely, correctly applied kiln coating will look like it disappeared after the kiln has been fired. The good news is that cracked lid coating is easy to repair. Just lightly remove the blistering coating with sandpaper and apply a new coat of liquid kiln repair cement. Keep in mind that the natural tendency is to apply too much lid coating because it just looks better than a thin layer.  If done correctly, you should still be able to see the firebrick pores under the coating! First, shake the container very well! Then, pour some of the coating into a bowl. Make sure to stir it just before you apply it to the firebricks. Apply the coating with a large, soft sponge. Moisten the sponge with water; then squeeze out the excess... this is a very important step! Dip the sponge into the bowl of kiln coating. Wipe the coating over the lid surface. Do not let excess coating run into the element grooves of the kiln. Applying a light coat will prevent this from happening. If the coating drips along the edges of the grooves, remove by wiping a cotton swab or rag along the groove. Many people have asked us... "What is the difference between kiln cement and Liquid Kiln Coating? Can a lid be coated with a thin mixture of kiln cement?" The answer is YES! Kiln cement thinned with water will work as a lid coating. Liquid Kiln Coating is simply a mixture of kiln cement, fine brick dust, a gumming agent, and water. The great news is that lid coating lasts for several years. So, it's not something you need to worry about on a daily basis.  But, if you start getting kiln brick dust on your work, maybe it's time to re-apply.  Some kilns such as the Paragon CS-14S allow you to upgrade to a fiber top, which helps to keep your kiln cleaner and reduces the chance of debris in your pieces.

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Dual Media Kilns - The BEST of BOTH Worlds!
Ceramic Glass Kilns

Dual Media Kilns - The BEST of BOTH Worlds!

One of the main reasons we love Dual Media or DM kilns as they are the ultimate in flexibility! Let's face it... sometimes you just need options!Dual Media kilns are kilns specifically designed for firing ceramics AND glass. If you have ever wondered about the differences between a glass kiln vs ceramic kiln, the core distinction is in how they heat: glass kilns fire from the top, while ceramic kilns fire from the sides. Technically speaking, ceramics and glass can be fired in any kiln that achieves the temperature you need. Jen-Ken Ceram-a-Glass 2422 The Ceram-a-Glass series from Jen-Ken Kilns is a great example of a dual media kiln. They are top and side firing for glass and side firing only for casting, and ceramics. Switching from one mode to the other is super easy as all Ceram-a-Glass kilns come equipped with a side toggle switch. Simply toggle up for the glass fusing mode up which allows you to fire up to 1700°F or, toggle down for the ceramics/casting mode for up to 2100°F. Some of the Ceram-a-Glass kilns even have 3" brick so you can go as high as 2300°F! Paragon Janus27 The Paragon Kilns Janus series was specifically designed to fire both pottery and glass. According to Paragon, the Janus name was derived from Janus, the Roman god, who is often depicted as having two faces which faced in opposite direction. In the Janus kilns, you can easily select between glass and pottery with the flip of a switch. With the switch in the glass position, heat comes from the top elements and the middle sidewall element. With the switch in the pottery position, heat comes from only the sidewall elements. Olympic Kilns also offers a complete line of Dual Media kilns, plus you can easily add a lid element to any of the HE models! An ON/OFF switch activates the lid element when fusing is desired. Olympic 1818HE The Olympic Dual Media kilns are stackable (meaning they are constructed of stacked rings) electric kilns that are designed to come apart so that you can easily move them from one location to another, easily work on one section of the kiln without taking the entire electrical system off the kiln, and increase or decrease the depth of kiln as needed.So, what else do you need to know if you plan to purchase a Dual Media kiln?HEAT RISES... When you are using a Dual Media kiln in ceramic mode, only the side elements are firing, BUT since heat rises you are "cooking" the "sleeping" lid element. This high-temperature baking of a "sleeping" element will shorten its lifespan. This is not really a big issue as long as you are aware that you may have to change out the lid coil more often than the body coils. It's just the nature of the beast!USE OF AMPERAGE... A Dual Media kiln will use more power in the ceramic mode than in the glass mode. As you know, clay needs to be fired at higher temperatures than glass, so it's just physics that you'll be using more power. It's not a tremendous amount more but, something to keep in mind when you are looking at your electric bill.STACKING vs NO STACKING... Dual Media kilns can hold a lot of stacked shelves when firing clay pieces. BUT, just because it can do that in ceramic mode, doesn't mean you can do that in glass mode. The rule for glass is still... one shelf 6-10" from the top element! This means you'll really need to elevate your kiln shelf to get it high enough to get an even firing. Also, if you keep shelves in your kiln below the one that you are using to fire the glass, the kiln will take longer to heat and cool due to the abundance of refractory material (clay shelving) inside the kiln. Knowing this ahead of time will save you headaches and frustration.We like to think of a dual media kiln as the gift that never stops giving! It allows you to explore your artistry without having to purchase an additional kiln. In the end, only you know how much clay vs. glass or casting work you plan to do, so... if you like to keep your creative options open, a Dual Media kiln may just be the right choice for you!

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Why is my kiln ramping so slow?
Consult licensed electrician

Why is my kiln ramping so slow?

Sometimes you get a new kiln, program the controller, push start and it just ramps super slow. Many times the cause of this issue is that you don't have the correct breaker installed, the wire size is too small for the electrical draw, or you are just too darn far from the breaker box. NEMA code states that a breaker should allow for a 10-15% variance in amperage for surges, etc. For example, if a kiln draws 30 amps at a full ramp, the breaker should allow for 33-36 amps of space/variance on the circuit or breaker. This means the breaker needs to be at least 40 amps since there is just NO room on a 30 amp breaker for a 30 amp draw.  Also if the breaker is too small, it can be a fire hazard due to the amount of heat that will be created. With that in mind, here is a quick checklist of things to troubleshoot: Go to the breaker box.... is the correct breaker installed? Are you plugged directly into the wall receptacle? NO extension cords allowed! What program are you using? Is the ramp speed too slow? Turn off kiln and then on again. Put in a program with one segment... Ramp FULL/9999 to 1500F hold 10 min. How long did it take to reach 1500F? Did it reach temp? (larger kilns take longer to heat than smaller ones. A larger kiln may only be able to heat at 400-500 dph. Do you have a multi-meter to check the voltage of the line too assure you are getting the full amperage you need? As always, please consult a licensed electrician as they should be very aware of this code and its requirements. Most of all we want you to be safe!! If you need a small kiln that fires to cone 10 on 120V you should check out the Olympic HB86E and the Paragon Caldera Digital.

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The Importance of Spare Parts
An Ohm Meter

The Importance of Spare Parts

This is one of those stories that you don't believe... until it happens to you!  A few years ago, we had a visiting instructor with a full class of students teaching at our studio when the kiln just decided it wanted to be a rebel. There was a tiny waft of smoke, and then a error signal from the controller. Part of me wanted to freak out and run around the room with my arms waving while screaming expletives at the top of my lungs as this was the only kiln we had that was large enough to fire the student projects. Luckily, I quickly realized that I had an audience so, after a few deep breaths and some positive self-talk, I turned the kiln off and unplugged it. My first diagnostic step was to use my nut driver to unscrew the box where I saw the little smoke puff. And, yes... I know it's not an extra part but, everyone must have a 1/4" nut driver on hand in your kiln room. So, I opened the box and I see a small area that looks burned. It's the connector that attaches the kiln element to the electrical feed that runs to the relay. There's also a ceramic insulator that looks like it's seen better days, and a dead bug. To make a short story short...the bug wiggled in, couldn't get out, and in it's frenzy, wiggled around the wire and caused a short when the wire touched the side of the box. This action killed the bug, and fried the connection. I know what you are all thinking... and, yes... we have big bugs here in Texas. This is not common, but it can happen. Thankfully, kilns these days are made pretty "smart" so the controllers sense when a problem arises and shut the program down. With that said, all I needed now was a new ground connector and a new ceramic insulator. I went to my local hardware supply and picked up some hot tub ground connectors as a temporary measure and found some unglazed bisque beads to serve as my insulator. A few moments later I was up and running again. (I know... who the heck has unglazed bisque beads?) We learned the importance of having spare parts on hand; Just like with a car, occasionally your kiln will hit a bump, or a bug in the road, and need a minor repair. You CAN do it, if you have some spare parts available. Here's what we recommend having on hand: An Extra Set of Relays Call the manufacturer of your kiln and ask them to send you a full set of relays for you kiln... some kilns use one and others can use up to three. That is why you need a full set! The best part is they are cheap. They usually run about $50 each and are worth their weight in gold. They do have a lifespan rated in "clicks." So, keep that in mind as age is less of a factor than usage. You just can't run your kiln with them. You can find an example here on our website. In the time since this happened, kiln manufacturers have introduced Solid State Relay Systems. As we just discussed, mechanical relays wear out and fail at some point but, that is not the case with solid state. Solid state means there are no moving parts, nothing to wear out and nothing to replace. Mercury relays are also an alternative but, they are more costly and include hazards associated with handling mercury if it breaks. Ground Connectors Since you're already calling the manufacturer for relays, ask for a few of these too! Again, cheap but worth it. Ceramic Insulators You guessed it! Since you're asking for relays and the ground connectors, make sure to ask them to add a ceramic insulator. (Now you sound very knowledgeable and they will be impressed!) Extra Side Element & Element Pins Elements can be finicky so, these are a must! The side  elements are usually longer than the top element, but these could be MacGyver'd to be smaller if you needed to replace your element on top and just couldn't wait to for it to come. These typically run about $30 each. Have a spare on hand, you'll sleep better at night. I know I do! Thermocouple This is truly for the die hards! These run somewhere around $45 dollars depending on the company. Again, your kiln won't run without it. Check out some of them on Kiln Frog. Electrical Tape Duh! Everybody loves tape! Pliers, Phillips and Flat Head Screwdrivers, Wire Strippers, Set of Nut Drivers, and a Flush Cutter  These are basic tools you should have in your kiln survival kit. Pack these along with a shot of tequila for calm steady hands! An Ohm Meter Another weird, but handy tool to help you determine whether electrical amperage/voltage are getting to your elements. (Using this is a whole other conversation.) They come with directions and there are smarty pants types on YouTube who can walk you through it. Trust me, you'll need it at some point in your kiln life. The phone number of someone who knows what their doing  If you need help, no problem! Or, sometimes it's just nice to talk to some for reassurance.. that's what we do! Kiln Frog's "Kiln Repair Directory" is a great resource of over one hundred kiln repair technicians across the US. When you call them and they tell you to get all this stuff, you'll look like a genius because you already have it.

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What is the biggest kiln available on household current?
Evenheat Kilns & Ovens

What is the biggest kiln available on household current?

The number one piece of advise we give to someone looking to purchase their first kiln is... "purchase the biggest one you can afford".  We say this, not because we are greedy but, because we all know that once you start... it's impossible stop! The creative juices start flowing and you just want more, more, more!!!  The number one question we get in return is... 'What is the biggest kiln I can run on 120v household current?' In other words, what is the largest 120v kiln you can buy? That is a great question because the answer is not that easy. Before we get to the list, it's important to talk about power and performance. To provide the performance it was designed to give, a kiln must have the proper outlet and matching breaker to supply adequate voltage and amperage. An incorrect connection may cause disappointing or even hazardous results. Smaller kilns (under 13”) typically run on household 120 volt, 13 amp household current. This will allow the owner to plug the kiln into just about any plug in the house. Most standard household breakers are 15-20 amps, so a 13 amp draw on that breaker will not overtax or “blow” the breaker. When the firing chamber increases in size, the amperage required to heat the chamber will increase to 15-17 amps. These higher amperage requirements will dictate the need to install a dedicated circuit of 20 amps to be installed. This new circuit will be dedicated specifically to the kiln, and will not have anything else attached to it that will draw power. Most homes in the U.S. are wired with a combination of 15-amp and 20-amp, 120-volt circuits. Because 15-amp receptacles (5-15R) can be used with 20-amp circuits, most of the receptacles you see in homes are the standard 15-amp variety, with two slots and a U-shaped grounding hole.  Twenty-amp receptacles (5-20R) have a horizontal slot branching off one of the vertical slots. Plugs designated as 20 amp will not fit into 15-amp outlets. If you have questions, we always recommend talking to a licensed electrician. Now that we got through all the technical talk, here is the full list of all 120v kilns:  5-15R KILNS Jen-Ken AF3P 15/6 Jen-Ken ProFusion Fiber 16 Paragon S1310 Trio            Paragon FiberFuse 16 Paragon Fusion 7 Evenheat Studio Pro 14 Evenheat KH 414 Evenheat KH 418 5-20R KILNS  Paragon Max 119 Paragon CS-16S                   Paragon Fusion 16            Paragon CS-16D          Paragon KM14T Paragon KM18T Paragon PMT10 Olympic Quatro 16            Olympic Quatro 16 TLC   Olympic 186GFE Olympic Square 186GFE     Olympic Square 186GFETLC  Evenheat Studio Pro 17     Evenheat HF 810 Evenheat RM II 810

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Psychology of Colors
Colors

The Psychology of Color!

As artists, we know that the mind is highly responsive to visual stimuli, and color is the most defining factor in that response. On many levels, colors convey meaning – not only in the natural world but also within our culture. Companies have used these responses for years to accent their branding messages and stir up emotional energy... so, is it crazy to think the same theory is true about picking a color for your kiln? My answer to the question is no... it's not crazy, it's fabulous! Now that Paragon kilns offers custom colors at no additional charge, it's even easier to use your kiln as part of your artistic inspiration. The manufacturer has different options but, overall berry is our #1 custom color!  ❤️RED - Stimulating and passionate, the color red always makes a strong statement! As a dominating color, red also adds gravity and heightened awareness – quite literally, as the color increases blood circulation, breathing rates, and metabolism. 🧡ORANGE - If you want an energetic vibe, try orange! Sharing red's energizing aspects, but to a safer degree, orange is a good way to add excitement without severity. It's generally playful, and some claim it creates haste and plays on impulse.  💜PURPLE -  Want help getting those brain synapses firing? Purple utilizes both red and blue to provide a nice balance between stimulation and serenity that is supposed to encourage creativity. Light purple is said to result in a peaceful surrounding, thus relieving tension. 💚GREEN/💙BLUE -  If you looking for your studio to be a peaceful and calming environment, you might consider using green and/or blue. These cool colors are typically considered restful. There is actually a bit of scientific logic applied to this – because the eye focuses the color green directly on the retina, it is said to be less stressful on your eye muscles. 💗PINK - Being a tint of red, pink also affects us physically, but it soothes, rather than stimulates. The color pink has associations with fascination, positive energy and compassion. Psychologically, pink is one of the most powerful colors!

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